The four men debate a series of three topics: (1) the relative merit of classical drama (upheld by Crites) vs.modern drama (championed by Eugenius); (2) whether French drama, as Lisideius maintains, is better than English drama (supported by Neander, who famously calls Shakespeare "the greatest soul, ancient or modern"); and (3) whether plays in rhyme are an improvement upon blank verse drama--a proposition that Neander, despite having defended the Elizabethans, now advances against the skeptical Crites (who also switches from his original position and defends the blank verse tradition of Elizabethan drama).To Crites' argument that the plots of classical drama are more "just," Eugenius can retort that modern plots are more "lively" thanks to their variety.Tags: Need Help With AssignmentSolve The Linear Programming Problem By The Simplex MethodLuis Rodriguez Always Running EssayMusic Research PapersFive Paragraph Essay About My Childhood And FutureThesis IntroductionsWhat I Like About My Hometown EssayEssay On Allama Iqbal In Urdu
However, Dryden was inactive in Society affairs and in 1666 was expelled for non-payment of his dues.
On 1 December 1663 Dryden married the royalist sister of Sir Robert Howard—Lady Elizabeth.
Dryden’s works occasionally contain outbursts against the married state but also celebrations of the same.
Thus, little is known of the intimate side of his marriage.
Joyce's novel traces the intellectual and religio-philosophical awakening of young Stephen Dedalus as he begins ...
This version of Emerson's Essays is an historic 1909 edition.
His first play, The Wild Gallant appeared in 1663 and was not successful, but he was to have more success, and from 1668 on he was contracted to produce three plays a year for the King's Company in which he was also to become a shareholder.
During the 1660s and 70s theatrical writing was to be his main source of income.
These poems suggest that Dryden was looking to court a possible patron, but he was to instead make a living in writing for publishers, not for the aristocracy, and thus ultimately for the reading public.
These, and his other nondramatic poems, are occasional—that is, they celebrate public events.