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Merrin Print Source Cinémathèque Française ) France, 1927 • Directed by Germaine Dulac Cast Alexandre Allin (Priest), Gènica Athanasiou, a.k.a.
Playwright, essayist, and actor Antonin Artaud wrote the script, in the hope of codirecting the film and playing the role of the clergyman.
Dulac, however, insisted on directing the film alone.
In the late 1920s, Dulac began an intense period of radical aesthetic exploration and innovation in a series of shorter, independently-produced, low-budget films.
(1927) leaves plot and point of view behind altogether in order to explore the disruptive, obsessive, and irrational nature of desire.
In 1928, Dulac made her last commercial feature, (1936), composed of archival footage with a voice-over narration extolling the potential of film to record history, is one of her last completed films, and many of her writings of the 1930s address the educational potential of the newsreel and documentary film.
Dulac’s last years were much less productive due to illness.by more than a year), though the surrealists themselves welcomed neither the film nor Dulac into their fold.The film’s three figures play out a complex dance of desire, fantasy, and frustration in a number of eclectic scenes and bizarre settings with no logical explanation or connection, though some critics interpret them as the staging of an oedipal drama.(1919) Germaine Dulac didn’t choose filmmaking as her first career, nor did she believe that directing was a job for women.Nevertheless, she made more than 30 films, had her own production company, wrote numerous articles on filmmaking, lectured, and founded and edited a cinema journal.Germaine Dulac was a feminist and socialist artist and thinker of the 1920s and ’30s whose bold experimentation helped legitimize cinema as an art form that would be on the same footing as painting, dance, theater, and music.The Film Society at Lincoln Center will be screening a series of Dulac’s films August 24-30.The film was overshadowed by Un chien andalou (An Andalusian Dog, 1929), written and directed by Luis Buñuel and Salvador Dalí.Un chien andalou is considered the first surrealist film, but its foundations in The Seashell and the Clergyman have been all but overlooked. The film recounts the story of Emanuel Ringelblum and his mission to create an archive that documented the history of Jews in the Warsaw Ghetto. UNDO advisor Amélie Garin-Davet has organized a retrospective of a pioneering figure of French avant-garde and queer cinema!