Hearing Cultures Essays Sound

Hearing Cultures Essays Sound-22
The importance of attending to the multiple sensory dimensions of objects, architectures and landscapes is quickly becoming a central tenet of material culture theory.This sensual turn – or better, ‘revolution’ (Howes 2004) – is evident in the various references to the sensuous made by the contributors to (Buchli 2002).

The importance of attending to the multiple sensory dimensions of objects, architectures and landscapes is quickly becoming a central tenet of material culture theory.This sensual turn – or better, ‘revolution’ (Howes 2004) – is evident in the various references to the sensuous made by the contributors to (Buchli 2002).

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It answers such intriguing questions as: - Did people in Shakespeare's time hear differently from us? - Why do people in Egypt increasingly listen to taped religious sermons?

- Why did Enlightenment doctors believe that music was an essential cure?

Sound reproduction technologies such as gramophone and radio emphasise the questionable materiality of sound.

Scholarship in the emerging field of sound studies has tended to focus on sound technologies that emerge in this period, promoting the axiom that the ear epitomises modern sensibility.

The rapid industrialisation and electrification that characterises the late nineteenth and early twentieth centuries involved the revolutionary and irreversible technologisation of sound.

The ability to send sound great distances, through time and space, amplified the instability of sonic presence both inside and outside the body.This book shows how sound offers a refreshing new lens through which to examine culture and complex social issues.uses cookies to personalize content, tailor ads and improve the user experience. Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense - from the intersection of sound and modernity, through to the relationship between audio-technological advances and issues of personal and urban space.As cultures and communities grapple with the massive changes wrought by modernization and globalization, Hearing Cultures presents an important new approach to understanding our world.In ‘Contested landscapes’, Barbara Bender writes: ‘landscapes are not just “views” but intimate encounters.They are not just about seeing, but about experiencing with all the senses’ (2002: 136).By using our site, you agree to our collection of information through the use of cookies. Google(); req('single_work'); $('.js-splash-single-step-signup-download-button').one('click', function(e){ req_and_ready('single_work', function() ); new c. Even before technological developments revolutionised sound, discourses surrounding the ear anticipated the collapse of scientific certainty that marks the modern age.Developments in sound technology can mask the severing of scientific measurement from musical aesthetics that coincided with the age of recording.

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