Michael Parker Doppelganger Essay

Michael Parker Doppelganger Essay-77
I wanted both to pay homage to our lost church back home in Pennsylvania and to investigate what connections the Protestant Episcopal Mission might have to this tucked away in the far north of Italy.My husband and I drove the winding roads up to the Val de Funes, a verdant valley tucked into the magnificently craggy Dolomites, in a region the mostly German-speaking residents still call “Sud Tyrol” as opposed to the Italian “Alto Adige.” That “Sud” will be about as close to South Philly as things get up here.

I wanted both to pay homage to our lost church back home in Pennsylvania and to investigate what connections the Protestant Episcopal Mission might have to this tucked away in the far north of Italy.My husband and I drove the winding roads up to the Val de Funes, a verdant valley tucked into the magnificently craggy Dolomites, in a region the mostly German-speaking residents still call “Sud Tyrol” as opposed to the Italian “Alto Adige.” That “Sud” will be about as close to South Philly as things get up here.

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But I’m intrigued by the possibility that Watson was attempting something even more nuanced and sophisticated.

When L’Emmanuelo was built in 1891, the Sud Tyrol was part of Austria, not Italy.

As we drove up, we passed a local band, men dressed in lederhosen, feathered caps, and red and white checked shirts.

The women were clad in stiff dirndls and petticoats, instruments poised to serenade a pair of newlyweds.

For Beisert, it’s the archetypal forms and details Watson chose that matter.

Michael Parker Doppelganger Essay Argumentative Essay Prompts 6th Grade

The classic Renaissance proportions and geometry, the rosy quoining (in brick, not paint or granite) would have been comfortingly familiar to the Italian immigrants who formed the first congregation of the Protestant Episcopal Mission of the Emmanuel (or L’Emmanuelo), a taste of home in a strange new world.

Yet, the diminutive, one-room church, built in 1744 as the chapel for a medieval manor house and hunting lodge, holds its own through elegant geometry and satisfying proportions.

The white facade and sides are offset by rose-colored trompe l’oeil trim that mimic the pink granite favored by more significant parish and village churches throughout the Dolomites region.

Determining whether Frank Watson, architect of Philadelphia’s Protestant Episcopal Church of the Emanuel (Christian Street Baptist’s original name) was inspired directly by the little church in the Dolomites would take some dedicated historical detective work.

The image could well have been iconic and widely circulated in Watson’s time.

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