Rules For Creative Writing

Rules For Creative Writing-12
If there are, say, three major theories to account for what might have happened then typically they are contraries – they cannot all be true.Some must be false and, therefore, there is an intrinsic element of fiction to this type of true crime, regardless of the style in which it is written. Indeed, this is the essence of both creative fiction and non-fiction.

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Whether you’re writing a short story, long-fiction, poetry, or non-fiction, at some point in your education, you will likely be faced with the challenge of creative writing.

You may do it because it’s required in your English or literature classes, or you may do it simply because you enjoy it.

It is not a full transcript, but detailed nonetheless.

I also include the text of the original document in my book.

The danger for the creative non-fiction writer is that the imagination becomes the driving force and historical fact is distorted or ignored. The best research not only includes secondary sources, such as books, but primary sources.

For example, in my genre, historical true crime, this entails looking at the original police files, including police reports, witness statements, inquest testimony, and other documentary evidence.

In the movie Infamous, there is a scene in which Harper Lee and Truman Capote are discussing the book he is writing about the Clutter murders, the brutal slaying of an entire Kansas family in 1959.

When Capote refers to his book as a novel, Lee is perplexed, telling him a book is either fiction or non-fiction.

Creative non-fiction always hugs facts and never lets go.

The task of the writer is to join the factual dots with plausible lines of narrative or dialogue, but always leaving the dots where they are. There are three ways to ensure you do not break the golden rule: research, research, research. A writer can only decide to employ creative non-fiction techniques from a position of thorough knowledge, never before.

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