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William Butler Yeats wrote “The Second Coming” in 1919, soon after the end of World War I, known at the time as “The Great War” because it was the biggest war yet fought and “The War to End All Wars” because it was so horrific that its participants dearly hoped it would be the last war.It was also not long since the Easter Rising in Ireland, a rebellion that was brutally suppressed that was the topic of Yeats’ earlier poem "Easter 1916," and the Russian Revolution of 1917, which overthrew the long rule of the czars and was accompanied by its full share of lingering chaos.
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
Surely some revelation is at hand; Surely the Second Coming is at hand. Hardly are those words out When a vast image out of Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds.
To understand why Achebe alludes to Yeats's poem "The Second Coming," one first needs to understand Yeats.
Lines three and four of his iconic poem lay the foundation for fear and anxiety: "Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world.” One of the most compelling reasons we bother to study Yeats well into the twenty-first century is that he offers a peek into Ireland’s haunting past. To understand why Achebe alludes to Yeats's poem "The Second Coming," one first needs to understand Yeats.
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Educators go through a rigorous application process, and every answer they submit is reviewed by our in-house editorial team.Achebe incorporates a similar interpretation of the quote as he describes the situation of the younger members of Mbanta village that showed interest in Christianity and were the first to convert. Conclusion Moreover, in the novel, Achebe hints, "the best lack all conviction, while the worst are full of passionate intensity" (Yeats, lines 7-8) this also displays the weariness and acceptance of the new religion.The best, tribe members that held titles, were looming the idea of Christianity while the worst, the outcasts and cursed, were dedicated and passionate. Introduction Jennifer Moua November 10, 2011 Period 2 Things Fall Apart and the Second Coming Chinua Achebe based his story, "Things Fall Apart," on the poem by William Butler Yeats called "The Second Coming." These two pieces of literature have many similarities despite being two completely different pieces of literature. The clans depended on the sons to continue their ways as they grew older and stronger.It is clearly shown that both authors wanted to illustrate great change between an old era to a new era with the changes taking place. Once the younger people began to convert, it paved the way for others to join and for the church to get stronger.Lines three and four of his iconic poem lay the foundation for fear and anxiety: "Things fall apart; the centre cannot hold; / Mere anarchy is loosed upon the world.” One of the most compelling reasons we bother to study Yeats well into the twenty-first century is that he offers a peek into Ireland’s haunting past.From a historical-biographical perspective, “The Second Coming” appeared just after the bloody Easter Rebellion in 1916 and after the end of World War I.How could Yeats not feel the center slipping, falling apart?Scholars need not delve much deeper than the horrific events occurring in Yeats’s own backyard.But this fundamental meter is not immediately evident in Yeats’ poem because the first line of each section — it's difficult to call them stanzas because there are only two and they are nowhere near the same length or pattern — begins with an emphatic trochee and then moves into a very irregular, but nonetheless incantatory rhythm of mostly iambs: The poem is sprinkled with variant feet, many of them like the third foot in the first line above, pyrrhic (or unstressed) feet, that enhance and emphasize the stresses that follow them.And the last line repeats the strange pattern of the first lines of the section, beginning with a bang, the trochee, followed by the tripping of unstressed syllables as the second foot is turned around into an iamb: Altogether, the effect of all this irregularity of form and emphasis combined with the incantatory repetitions creates the impression that “The Second Coming” is not so much a made thing, a written poem, as it is a recorded hallucination, a dream captured.