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Together, the essays consider the circulation of “world” literature (always distinctly European, and by men, in Kadare’s account) in Albania and, in doing so, argue for the significance of tragedy to Balkan people’s lives, imaginations, and self-identification.
With the ability to see the world with a pair of fresh eyes, it triggers the reader to reflect upon their own lives.
Reading a material that is relatable to the reader may teach them morals and encourage them to practice good judgement.
Ultimately, literature has provided a gateway to teach the reader about life experiences from even the saddest stories to the most joyful ones that will touch their hearts.
From a very young age, many are exposed to literature in the most stripped down form: picture books and simple texts that are mainly for the sole purpose of teaching the alphabet etc.
Literature enables people to see through the lenses of others, and sometimes even inanimate objects; therefore, it becomes a looking glass into the world as others view it.
It is a journey that is inscribed in pages, and powered by the imagination of the reader.Kadare attests as much in his reading of Homer, one who made the Greeks’ deceitful destruction of the Trojans, murdered while they slept, the basis of Greece’s greatest epic of unified mythohistoric selfhood.Through his provocations on Aeschylus, Dante, Shakespeare, and the vicissitudes of Albanian history, Kadare argues that to see Albanian literature as world literature is to see Albania simultaneously as the subject of its own self-inflicted tragedy and as the object of violence committed against it.Although these are not nearly as complex as an 800-page sci-fi novel, it is the first step that many take towards the literary world.Progressively, as people grow older, they explore other genres of books, ones that propel them towards curiosity of the subject, and the overall book. It places an emphasis on many topics from human tragedies to tales of the ever-popular search for love.While it is physically written in words, these words come alive in the imagination of the mind, and its ability to comprehend the complexity or simplicity of the text.It is to see Albania as European and therefore part of Europe’s imperialist history; within Europe, as unremittingly Balkan and thus always peripheral to the flows of European power; and among them all, as an ethno/geocultural essence apart—lost like the origins of tragedy, inevitable like the violence of the political, difficult like the ghosts of the past.The “world” of Kadare’s three essays on “world literature” is a reflection of Albania’s “impossible drama” on the global scale of human history, an observation at once parochial and profound, like the greatness of great art.Consequently, this can promote better judgement of situations, so the reader does not find themselves in the same circumstances as perhaps those in the fiction world.Henceforth, literature is proven to not only be reflective of life, but it can also be used as a guide for the reader to follow and practice good judgement from. Never before has life been so chaotic and challenging for all.